As seasons go by, the audience is invited to discover various productions combining successfully music, as well as theatre and opera.

Confident with its influence, the Theatre des Bouffes du Nord also claims its local presence and commits locally for the diversity of the audience and supports the access to creation for all. Peter Brook was born in London in 1925. » Peter Brook, 1993 - Théâtre des Bouffes du Nord became a listed historical monument, « An old theatre is often beautiful, but the staging remains confined to spaces of the olden days.

Built in 1876, it re-opened in 1974 under the direction of Peter Brook and Micheline Rozan. We have since cleaned the ceiling, but the extraordinary acoustic remains. Excerpts from The Parisian Theatres by Geneviève Latour and Florence Claval, published by the Délégation à l'Action Artistique of the city of Paris. Salle historique parisienne, lieu de culture singulier, musique, théâtre et opéra se marient au Théâtre des Bouffes du Nord. We were warned that it was impossible, a civil servant from the Ministry told us that it would take two years to get the money and the permission.
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».

Een ziekenhuisbed in een zee van boeketten. Gathered in the same organisation, these local theatres (Gobelins, Grenelle, Ternes, Montrouge, Bouffes du Nord, etc.) With Marie-Hélène Estienne and Franck Krawczyk, he produced A Magic Flute after   Mozart and Schikaneder as part of the Festival d’Automne in Paris (2010), The Valley of Astonishment (2013) and Battlefield (2015), all at the Théâtre des Bouffes du Nord theatre.

We made two decisions: one, to leave the theatre as it was, to erase none of the marks that some hundred years of life left on it; the other, to resurrect the place as soon as possible.
He produced grand historical epics and melodramas in which Margot cried her heart out. 1917 - Owners of several variety theatres, Oscar Dufrenne and Henry Varna acquired the Théâtre des Bouffes du Nord and transformed it into a music-hall. It has been listed since 1993 as a monument historique by the French Ministry of Culture.[1]. In 1904, the theatre, under the direction of its directors, was entirely restored, repainted, and equipped with electricity. 1876 to 1885 - About fifteen unfortunate directors succeeded each other. René Marjolle, former singer at the Opéra-Comique aimed to give a lyrical scope to the Théâtre des Bouffes du Nord, but he also pulled out after a very difficult year. 1896 - Abel Ballet resigned from the post of the director of Bouffes du Nord Theatre.

His major books are The Empty Space (1968), Points de Suspension (1987), Boredom is the Devil (1991), With Shakespeare (1998), To forget the Time (2003), With Grotowski (2009) and The Quality of Forgiving (2014).

The hall comprised 530 seats divided into an orchestra, box seats, and a gallery. [6], International Centre for Theatre Research, http://www.theartsdesk.com/opera/magic-flute-cictth%C3%A9%C3%A2tre-des-bouffes-du-nord-barbican-theatre, "Peter Brook to hand over Paris's Bouffes du Nord theatre", "Peter Brook says a long goodbye to his Paris theatre", https://en.wikipedia.org/w/index.php?title=Théâtre_des_Bouffes_du_Nord&oldid=965789561, Theatres in the 10th arrondissement of Paris, Articles with French-language sources (fr), Infobox mapframe without OSM relation ID on Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 July 2020, at 12:35.

In August 1914 the Théâtre Molière, like other theatres, closed its doors. In addition to Parisians shows, over 250 performances productions on tour are given all over the world.

After the death of Charles Malincourt and then Paul le Danois, the Bouffes du Nord only presented occasional shows. In 1896, Abel Ballet left the direction of Bouffes North.

He has staged many plays, mostly by Shakespeare for the Royal Shakespeare Company, such as Love Labour’s Lost (1946), Measure for Measure (1950), Titus Andronicus (1955), King Lear (1962), Marat/Sade (1964), A Midsummer Night’s Dream (1970) and Antony and Cleopatra (1978).

In the Bouffes du Nord, one is struck by the nobility of its proportions, but at the same time, this quality is upset by the rough appearance of the place. In 2010, Olivier Mantei and Olivier Poubelle took over the management of the theatre and still carry on a tradition of a place of creation. And yet, at the same time, a little interior voice whispers to me: "hold on tightly, let go lightly".

In 1971, Peter Brook founded the International Centre for Theatrical Research (CIRT) in Paris, which, with the opening of the Bouffes du Nord became the International Centre for Theatrical Creation (CICT). Fortunately, there was much applause, but it almost literally brought the house down, since, due to the vibrations, big slabs of moulding came unstuck and fell, missing by a hair’s breadth the heads of our spectators.

Micheline refused their logic and accepted the challenge. Hope was back…. Salle historique parisienne, lieu de culture singulier, musique, théâtre et opéra se marient au Théâtre des Bouffes du Nord.

Restaurants near Theatre des Bouffes du Nord, Paris on Tripadvisor: Find traveler reviews and candid photos of dining near Theatre des Bouffes du Nord in Paris, France. 1923 - Oscar Dufrenne and Henry Varna retired.

During the first shows some people were literally glued to their seats and we had to reimburse a few ladies furious to have left there a part of their skirts.

This structuring mentoring is based on a collaboration and a commitment spirit preserved over the seasons and years.

His productions stand out by their iconoclastic aspects and their international stature: Timon of Athens (1974), The Iks (1975), The Bone (1979), The Mahabharata (1985), The Cherry Orchard (1989), Woza Albert! One day Micheline Rozan says to me: « There is a theatre behind the North Train Station that everyone seems to have forgotten. But I believe that one can only live by passionately and absolutely adhering to one viewpoint. These two aspects make a whole.