Best macro lens: Sony FE 50mm F2.8 Macro 135mm is the weakest especially for the corners, For the price I would have expected a better build quality (all plastic), Aperture si quite small : F5 as of 50mm, F5.6 as of 70mm, The lens is quite compact (88mm) and light (326gr), The minimum focusing distance of 45cm is handy and allow for some “macro” shot, The distorsion is huge below 35mm, fortunately it is completely corrected in the body for jpg and video or in Lightroom (for raws), Lens fall off , distorsion and CA low or that can be corrected automatically, Sharpness is very good to excellent including in the corners , much better than the Sony pancake at a fraction of the cost (, sharpness is excellent and very consistent centre to corners, very Good bokeh and background blur effects, distorsion is visible especially in video, CA are visible wide open as well as significant lens fall off, Fast aperture of F1.2 perfectly usable with good sharpness, Exceptional sharpness as of F2.8 and good at f1.2, its a complete transformation witch much higher quality, Very good (F1.4) to excellent sharpness (F2), Excellent Bokeh and beautiful soft background blur, Beautiful transition between in focus area and background blur (quite soft and poetic), Excellent sharpness, including at F1.2 (very good), No distorsion, good resistance to flare and very low CA, is really superb and if you like manual focus lens, don’t hesitate 1 second, OSS : optical stabilisation is really welcome for video or in photography when you have a A6000 or A6300, Sharpness : This lens was introduced in 2011 when sensor were 16Mpix and was a very good performer at that time. It is the counterpart of the excellent Sony 100-400 mm on full frame but for 2.5 time less. You best possible option would be the FE 70-200mm f/2.8 GM OSS Lens, and it is far from cheap. G Badge – Some Sony lenses have the G badge, and this just means a higher standard of build quality and optical quality was used per the manufacture (Sony) These lenses tend to be more expensive! Really looking for a zoom which can do low light crowds in pre-dawn through to bright fast moving sports. The lenses are not disposable, and the re-sale value is very high!

Sometimes it looks really cool though I think . I decided to write this article to help those lost in the mountain of possible lens options. Standard Prime: Rokinon/Samyang 35mm f/1.2, Excellent list Steve!!

I can tell you from many years of personal and professional experience, the cost does usually indicate the quality. Many other criteria needs also to be considered before choosing a lens : AF accuracy and speed, Bokeh, background blur, color rendition , CA , resistance to flare, distorsion ….

Aperture = Size of the lens diaphragm when set to a given aperture. A-mount is standard on Sony unique Translucent Mirror type camera bodies, while E-mount is used on mirrorless bodies. – Standard Prime: Rokinon/ Samyang 35mm f/1.2, I really hope this article helped those in search for another lens and cleared up some of the confusion that goes along with optics in general. Sony PZ E 18-105mm F4 G OSS on a full frame, Lensbaby Composer Pro II with Sweet Optics, APO-Makro-Plasmat 105 f2.7 by Meyer Optik, Primoplan 58mm F1.9 by Meyer Optik Görlitz, Samyang 35mm F2.8 AF (vs Sony Zeiss 35mm F2.8), Laowa 105mm F2 T3.2 STF (Smooth Trans-Focus), Which Lenses are the sharpest for a A6xxx, Sigma 16mm F1.4 DC DN Contemporary (APS-C), Sony Wireless Triggers FA-WRC1M & FA-WRR1, Hähnel NP-FZ100 chargers for A7III,A7RIII, A9, NiSi S5 filter holder for Sony 12-24mm F4 G, NiSi S6 filter holder for Sony 12-24 F2.8 GM, SmallRig : L-shape wooden grip for Sony RX100, SmallRig : 6 solutions for mounting your external screen, iShoot Arca Swiss Tripod lens collar foot, Leofoto LS-324C Ranger tripod with LH-40 Ball Head, Leofoto LX-254CT Urban tripod with XB-32 Ball Head, Leofoto LS-223C small tripod + LH25 ballhead, Leofoto MP-285C Monopod + base VD-02 + head VH-20, Leofoto base & clamps : LB-68 / LR-50 / RH-1L / DC-38Q / SC-50, Leofoto UC-01 – Umbrella clamp for tripod, https://tokinalens.com/product/at_x_116_pro_dx_ii/, ソニー APS-C α6xxxシリーズに最適な解像性能のAPS-C用レンズリスト | とるなら～写真道楽道中記～, Permet d’explorer pleinement le potentiel des 24Mpix du capteur APSC, Toute l’image sera ultra nette même observée à 100% , les moindres détails seront visibles, Très peu d’optiques atteignent ce niveau sur l’entièreté du champ, Résultats excellent , la difference avec l’exceptionnel ne s’obtenant que par comparison à 100%, A ce niveau on obtains encore de Très Bon résultats mais on commence à avoir un manque de netteté en regardant les photos à 100%, Certaines focales fixes tomberont dans cette catégorie à pleine ouverture il faudra fermer le diaphragme pour atteindre l’excellence, A ce niveau les images sont bonnes vue dans leur ensemble mais manque de  netteté à 100. Not the case with disposable cartridges… Different lenses offer different possibilities for capturing the world, so they offer something for the money in other words, depending on your needs…. SonyAlphaRumors 43rumors @cube_stories Admin. May be you had a bad copy. Wide-angle, telephoto, macro, ect..

Il manque juste les objectifs en monture A (avec un adaptateur) qui, d’après mon expérience, donnent plutôt de bons résultats sur un A6500.

Le Sigma 56mm F1.4 DC DN Contemporary est parmi les meilleure optiques disponibles en Sony APSC et la meilleure pour le portrait. Jay, Hello, do you allow guest posting on sonyalphalab.com ? Les résultats sont superbes avec un effet équivalent à un 85mm F1.4 en plein format.

I’ve already forwarded it to several fellow A6000 owners. You will get a sharp shot every once and while, but nothing like a native mounted lens.

**This post contains affiliate links and I will be compensated if you make a purchase after clicking through my links. Hi guys and welcome back to SonyAlphaLab! Ce Laowa 9mm F2.8 Zero D est donc fait de compromis : un prix élevé pour un APS-C (620 euros) mais un piqué excellent (meilleur que le Sony 10-18mm) et pas de distorsion. Build Quality – The ruggedness of the lens itself. (F4), Parfocale, faible variation de l’angle de vue, Beaucoup de contrôles directement accessible sur l’objectif, Le piqué au centre est toujours excellent et les coins sont bon très bons.