That way you can make the best decision for you! border: dashed 2px #27C110; However, if it overlaps with another lens you already have or if you can only see yourself using it in very specialized situations then you might have a case of gear acquisition syndrome (GAS). I’ve owned numerous iterations of a 35mm lens over my years shooting DSLRs, and so the 35mm f/1.4 was a simple choice as the first lens to buy with my a7R III. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. As such, there’s no attachment thread for the direct mounting of filters. It is due to its heavy-duty construction. When compared with the Sigma 16mm f/1.4, the Sony E 16mm f/2.8 doesn’t have as good of image quality and you lose out on 2 additional stops of light with its aperture of f/2.8 versus the f/1.4 aperture on the Sigma 16mm. Also, the minimum working distance is 0.9-inch. Overview of Features The Sony scored an excellent 99 points, securing a top-ten position in our Sensor ranking. You can produce some very cinematic, intimate shots with its 30mm focal length and f/1.4 aperture. Reasonably fast aperture. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. On top of that, you also have the Nano AR coating that helps in suppressing the reflections. The 16-55mm focal range will cover most situations you are in.

Small macro lenses are cheaper whilst still being effective in producing the desired result. It offers superior quality images and an image stabilization feature. Unusually for an E-mount lens, there's a manual aperture ring. Whether you’re a seasoned photographer looking for a top-quality macro lens, or a beginner just finding their feet, we hope you’ve found this article helpful and informative. As you grow as a photographer or videographer, you will start to learn what lens features fits best with your style and why lenses can get so expensive. The Sony 55-210mm lens offers a superb balance of form and function: ample zoom range in a compact design that is lightweight and remarkably comfortable to hold and operate. All rights reserved. Focusing is nice and brisk while the nine-blade diaphragm delivers to really beautiful bokeh. Finally, as an outdoor photographer doing macro photography, you want to have that extra protection of weather sealing. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. A 50mm lens can be used for shooting street photos, portrait shots, and almost everything from the same angle of view that the human eye gives. You can consider him as your “master guide” here at PhotoWorkout. The focus hold button and de-click aperture ring option are nice bonuses, with the latter working very well when shooting video. The fast wide aperture of f/2.8 gives you great subject separation from the background. This zoom lens allows you to capture moments without any lag time. Sony’s Nano AR coating fends off ghosting and flare, while lateral and longitudinal fringing are both minimal. So, even though the 70-200mm will be more like a 105-300mm lens with the crop factor, the additional reach isn’t necessarily a bad thing. Simple – because it’s the best. “Nifty Fifty” focal length on the APS-C sensor with a maximum aperture of f/1.8 makes this one of the best portrait lenses for the Sony a6500.

For about $100 cheaper than the Sony 35mm f/1.8 OSS, you still get incredible image quality that is on par or even better than the Sony lens. Doing that means you are likely to block the light. Sensibly priced optic that delivers great bokeh, Full-frame compatible: Yes | Focal length: 85mm (127.5mm APS-C) | Maximum aperture: f/1.8 | Aperture blades: 9 | Weather seals: No | Filter thread: 67mm | Dimensions: 78 x 82mm | Weight: 371g. That allows a lot more flexibility in terms of working space when it comes to shooting bugs and creepy crawlies. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Ultra-wide viewing angles with top-notch quality, Focal length: 14-24mm (21-36mm APS-C) | Maximum aperture: f/2.8 | Aperture blades: 11 | Weather seals: Yes | Filter thread: N/A | Dimensions: 85 x 131mm | Weight: 795g. Third-party prime lenses are worth including in our best lenses for Sony a6000. Now you know how it is done. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm.

Enter your email to be sent The 11 blade rounded diaphragm helps produce sumptuously soft and dreamy bokeh in defocused areas. Not weather sealed which is surprising considering its price point. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. In this buying guide we've rounded-up several great cameras for travel and recommended the best. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. Where other lenses will only give you, at the most, 1x magnification which is life-size, this one gives 2.5 – 5x. There was a problem. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. I am expecting a similar one in FE mount and I hope it won’t be disappointing after all the great lenses Sony has offered in the E-mount. It is a versatile option that allows you to not switch your lens and continue shooting.