Beautiful bokeh. Nano-structure coatings are also applied, plus a fluorine coating on the front element. That basically means that small objects are reproduced on the camera’s image sensor at full life size. Check prices on the Sony E 18-135mm f3.5-5.6 at Amazon, B&H, Adorama, or Wex. A great long-zoom standard lens for A6000-series cameras, Mount: Sony E | Elements/groups: 16/12 | Diaphragm blades: 7 | Stabilizer: Yes | Minimum focus distance: 0.45m | Maximum magnification: 0.29x | Filter thread: 55mm | Dimensions (WxL): 67.2x88mm | Weight: 325g. Perfect for street, walk around, landscape, food, and everyday shooting. Hope this website will help you out in buying the best DSLRs / products.If you have any questions or suggestions, you can contact me via contact us.Cheers … Jean , DSLRPortal.com participates in the Amazon affiliate associates program, an affiliate advertising program designed to provide a means for sites to earn commissions by linking to Amazon. The only downside is the lack of optical stabilization.

The Laowa 12mm f/2.8 Zero-D for Sony E-mount covers an ultra-wide 122° angle of view for you to create an outstanding landscape or architecture shot that no others can compare to. High-speed autofocus combines with excellent handling, helped by the inclusion of a high-precision manual focus ring, a customisable autofocus hold button and an aperture ring with a de-click switch. It's true that a 70-200mm f/2.8 is seen as a 'must have' lens in any professional system, but you pay the price very literally, and there's a weight penalty with the f/2.8 version (below) too. It also has a rounded 11-blade diaphragm that helps produce smooth bokeh and comes with a lens hood to protect the front element and help prevent lens flare. The lens also features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony’s original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity.

Super-wide lenses for Sony APS-C E-mount cameras are rare... Mount: Sony E | Elements/groups: 10/8 | Diaphragm blades: 7 | Stabilizer: Yes | Minimum focus distance: 0.25m | Maximum magnification: 0.1x | Filter thread: 62mm | Dimensions (WxL): 70x63.5mm | Weight: 225g. Thanks! Alternatively get yourself a copy of my In Camera book or treat me to a coffee! All in all, it’s a large optic that goes extra-large in image quality, making it a great portrait lens. But with standard zooms and ultra-wide lenses you must get a lens designed for that format. A simple, bright, and lightweight normal prime, the Sony FE 50mm f/1.8 is a versatile normal-length prime lens well-suited for everyday shooting, while the fast f/1.8 maximum aperture benefits working in low-light conditions as well as offers increased control over depth of field for selective focus imagery. Tamron 35mm f/2.8 Di III OSD M 1:2 ($349).

Mount: Sony E | Elements/groups:... 2. An Ultra Multi-Coating has also been applied, as well as an integrated lens hood, to suppress flare and ghosting for greater contrast and color accuracy when working in strong lighting conditions. Before, the Sony FE 16-35mm f/2.8 G Master was the widest f/2.8 G Master lens in the Sony range, but the new Sony FE 12-24mm f/2.8 G Master has stolen its crown. Sony FE 28-60mm f/4-5.6 ($2,098 for the kit, Voigtlander 110mm f/2.5 Macro Apo-Lanthar ($498), Sony FE 16-35mm f/2.8 GM and FE 12-24mm f/4 G Lenses Announced, Zeiss Batis 2/25 and 1.8/85 FE lenses for Sony FF Mirrorless Announced. It very much follows suit, with the same high-end, weather-sealed build quality, fast and constant aperture rating, quick and virtually silent RXD (Rapid eXtra silent stepping drive) autofocus system and, best of all, the same terrific image quality. Autofocus is super-fast and deadly-accurate. The primes have a tough act to follow, as we’ve recently been hugely impressed with the Tamron 17-28mm and 28-75mm constant-aperture f/2.8 zooms. This corresponds to 15-24mm on a full frame camera. Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Benefitting the optical attributes, this lens also features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus range, from 7.09″ to infinity. This can cast a shadow over the object if shooting under ambient lighting, as well as scaring away bugs and other tiny creatures you may be trying to shoot. So I decided to share my experience via this website for the best DSLRs of 2020.The sole purpose of this blog (dslrportal.com) is to educate people about the best DSLR’s available in the market right now. This Sony FE 12-24mm f/2.8 GM ultra-wide-angle zoom builds upon the success of the popular FE 12-24mm f/4 G lens, boasting an even wider constant aperture, complex optical design, and lightning-fast AF. And designed to meet the high demands of both professional and advanced amateur photographers, the Sigma 24-70mm F2.8 offers best-in-class performance due to a sophisticated optical design that delivers high resolution throughout the entire zoom range. Sony E 16-55mm f/2.8 G The good news is that you get optical image stabilization built in, which is quite rare on an ultra-wideangle zoom lens, and ideal if you have one of Sony's un-stabilized A6000-series cameras. Super-wide lenses for Sony APS-C E-mount cameras are rare... Mount: Sony E | Elements/groups: 10/8 | Diaphragm blades: 7 | Stabilizer: Yes | Minimum focus distance: 0.25m | Maximum magnification: 0.1x | Filter thread: 62mm | Dimensions (WxL): 70x63.5mm | Weight: 225g. As a standard lens with a classic zoom range, the Sony E 16-55mm f/2.8 G ticks nearly all the right boxes. Matthew Richards, Alternatively get yourself a copy of my In Camera book or treat me to a coffee! If your budget is much higher, you can splash-out on three of Sony’s best prime lenses: the Sony FE 24mm f1.4 G Master, Sony FE 50mm f1.4 ZA and Sony FE 85mm f1.4 GM will delight any lucky owner.